Fragmented point of view; western genre conventions; post-war context;
Demonstrate how at least TWO of the filmmaker’s creative decisions in ONE film from the block (weeks 7-11) serve to establish the film’s point of view on the characters, story and subject. Screening: The Searchers (1956, John Ford, USA) Reading: Douglas Pye (1996) ‘Double Vision: Miscegenation and Point of View in The Searchers’ in Ian […]
Book review of Transforming Labour: Women and Work in Post-War Canada,
Since the review will be short, you will have to think carefully about what the main points of the book really are, and avoid everything that is not absolutely essential to the arguments presented in the book. Your review should present the key arguments made in the book, and say whether they are empirically well-supported […]
